For this Christmas Johnny Depp ,Sweeney Todd is coming to theater near you at Dec 21 st 2007. Tim Burton serves up the sugarplum tale of serial-killing barber Sweeney Todd (Johnny Depp), who slits the throats of his customers and then, with the help of bake-shop owner Mrs. Lovett (Helena Bonham Carter), grinds up the corpses and serves them as meat pies to a salivating if unsuspecting public. What more do you want in a musical?You'd think. Instead, Sweeney Todd is a thriller-diller from start to finish: scary, monstrously funny and melodically thrilling. And Depp is simply stupendous. He's not Pavarotti and doesn't try to be, but his light baritone has clarity, timbre and emotive power. Depp erases the line between singing and acting, fusing them into something that keeps the movie blazing. Oscar, take note. If you don't believe me ,please visit the official Sweeney Todd movie site for further informations.This Sweeney is a bloody wonder, intimate and epic, horrific and heart-rending as it flies on the wings of Sondheim's most thunderously exciting score. What's our boy so pissed about? As a young barber, he doted on his wife and baby daughter. The wife's beauty attracted Judge Turpin (a superlatively creepy Alan Rickman), a sexual predator protected by the law in the person of Beadle Bamford (Timothy Spall). A trumped-up charge sent the barber to an Australian prison and the judge into rape mode. Fifteen years later, Sweeney is back in London, a shock of white in his hair to match his deathly pallor. Mrs. Lovett, his former landlady, tells him that his wife went mad and took her own life, and that the judge now plans to marry Johanna (Jayne Wisener), Sweeney's daughter. That's the setup. In the soaring duet "My Friends," Mrs. Lovett sings of her love for Sweeney while he declares his passion for his razor ("At last my right arm is complete again"). Sweeney regains his tonsorial rep by defeating Pirelli, a rival barber done to a low-comic turn by Sacha Baron Cohen, and tempts the judge into his barber chair. The two sing one of Sondheim's loveliest ballads ("Pretty Women"), but just before the barber can put blade to the villain's throat, Anthony (Jamie Campbell Bower), a young sailor also in love with Johanna, interrupts and sends the judge scurrying. Sweeney snaps, and in his strongest anthem ("Epiphany") vows to take revenge on all mankind. Cue the corpses and the meat pies, as a beggar woman (Laura Michelle Kelly) sings of a "city on fire." Burton's use of blood is impressionistic, not realistic. But the prudes still whine about the R-rated violence. When did we become a nation of wimps? This brilliantly conceived and executed film moves from one highlight to another. The darkly delicious Bonham Carter rivals Depp in using an untrained voice to anchor lyrics to truth rather than showoff technique. She is funny and touching singing "By the Sea," a number that brings the screen alive with color as Mrs. Lovett imagines the impossible: Sweeney returning her desire. Later, Bonham Carter evokes chills in "Not While I'm Around," a ballad of devotion she croons to her young apprentice, Toby (the excellent Ed Sanders), just before she arranges his demise. As the film follows its tragic course, Depp scores an explosive triumph. Covered in blood, Sweeney is finally engulfed by his emotions, and Depp finds the character's grieving heart. It's a staggering moment in a spellbinder of breathtaking beauty and terror. Both sharp and fleet, “Sweeney Todd: The Demon Barber of Fleet Street” proves a satisfying screen version of Stephen Sondheim’s landmark 1979 theatrical musical. Where much could have gone wrong, things have turned out uniformly right thanks to highly focused direction by Tim Burton, expert screw-tightening by scenarist John Logan, and haunted and musically adept lead performances from Johnny Depp and Helena Bonham Carter.
Mrs. Lovett, a widow who signals her enduring love for Sweeney by having carefully kept his collection of gleaming razors through the years, makes a quick moral adjustment to her boarder’s bloody enterprise by using his victims’ flesh in her meat pies, which brings her business roaring back to life.
All the while, Judge Turpin and his malevolent henchman Beadle Bamford (an unctuous, gruesomely toothsome Timothy Spall) frustratingly elude Sweeney’s clutches; once they’re on to him and Anthony, the virtuous Johanna is thrown into an asylum, while Mrs. Lovett begins entertaining delusions of happily-ever-after domestic bliss with Sweeney.
Burton stages the singing sequences with precision and fluidity; as most of them are intimate one-or-two-person affairs and not production numbers in the traditional sense, he approaches them as he would dramatic scenes, in degrees of closeup and with an emphasis on content and forward movement. Music has always played a major role in his films (notably in his previous pic, “Charlie and the Chocolate Factory”) and this represents one happy instance of a film made by a director without stage experience that genuinely serves the intentions of the original piece.Don't miss this thriller and musical movie that will take your breath away at this holiday!!.If you're are Johnny Depp fan, visit the Sweeney Todd at MYSPACE.



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